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Miranda Priestley, of “Runway” magazine tears up the landscape as a demanding fashion editor. She is a terror to everyone who is around her as is quickly depicted in the opening scenes of the movie. Her first assistant strives to please her and tries to emulate her, but one can sense that she is not quite as hard as she tries to put on. Into this mix comes a young woman who knows nothing of the fashion industry, has never read the magazine, and doesn’t know who Miranda Priestley is. She only sees this as a stepping stone to another journalism position. Showing no fashion sense and immediately scorned by everyone, Miranda nonetheless hires her as the second assistant. When Miranda demands that she obtain the next unpublished Harry Potter manuscript, you can sense that she is trying to force her to quit, but it makes the young woman dig in to please her boss. With the help of one of the magazine’s fashion editors, she gets a complete makeover and a new security. However, with her new appearance and the demands placed on her, she starts to lose her friends, family and her live-in boy friend. As she is whisked away to Paris with Miranda and faces all of the glamor that could be hers, including a flashy if not artificial freelance journalist, she is forced to make the decision of where she wants to be in her life.

A dark tale based on the true story of Aileen Wuornos, one of America’s first female serial killers. Wuornos had a difficult and cruel childhood plagued by abuse and drug use in Michigan. She became a prostitute by the age of thirteen, the same year she became pregnant. She eventually moved to Florida where she began earning a living as a highway prostitute—servicing the desires of semi-truck drivers. The tale focuses on the nine month period between 1989 and 1990, during which Wuornos had a lesbian relationship with a woman named Selby. And during that very same time, she also began murdering her clientele in order to get money without using sex. This turned the tables on a rather common phenomena of female highway prostitutes being the victims of serial killers—instead Wuornos, herself, carried out the deeds of a cold-blooded killer.

The Deep End of The Ocean is a film about a family’s reaction when Ben, the youngest son is kidnapped and then found ten years later, living in the same town.

Special agent Frank Castle had it all: A loving family, a great life, and an adventurous job. But when his life is taken away from him by a ruthless criminal and his associates, Frank has become reborn. Now serving as judge, jury, and executioner, he’s a new kind of vigilante out to wage a one man war against those who have done him wrong.

Hunters and their prey—Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big ‘retirement’ score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor—’Never have anything in your life that you can’t walk out on in thirty seconds flat, if you spot the heat coming around the corner’—as he falls in love. Thus the stage is set for the suspenseful ending….

You’re young. You have an easy, well-paid deskjob. You have a condo, Swedish furniture, artistic coffee tables and a fridge full of condiments. Yet you feel emotionally and spiritually empty. You eventually find comfort in going to support groups for lukemia and cancer victims when there’s nothing wrong with you until they’re hijacked from you by another faker. Then you meet Tyler Durden, a man that shows you that not only can you live without material needs but that self-destruction, the collapse of society and making dynamite from soap might not be such a bad idea either.

When a prisoner transport plane carrying Deputy Sam Gerard as an escort crashes, one prisoner, Mark Sheridan helps him rescue some trapped prisoners and then escapes himself. Gerard and his crack team of U.S. Marshals start their pursuit, but the simple fugitive situation soon gets more complicated when Gerard learns that Sheridan is no mere criminal and the story behind his incrimination becomes more and more suspicious. At the same time, Mark Sheridan is out to find out the truth himself while keeping one step ahead of Gerard

With his company about to merge, a happily married and successful computer expert is expecting a promotion. Instead the job goes to a woman from another plant with whom he had an affair in his bachelor days. His new boss, not only dangerously sexy but equally dangerously ambitious, tries to pick up where they left off but he just about manages to resist. As his position at work comes under increasing pressure he decides to file charges of sexual harassment. This is the last thing the company needs.

Man on the Moon is a biographical movie on the late comedian Andy Kaufman. Kaufman, along with his role on “Taxi,” was famous for being the self-declared Intergender Wrestling Champion of the world. After beating women time and time again, Jerry Lawler (who plays himself in the movie), a professional wrestler, got tired of seeing all of this and decided to challenge Kaufman to a match. In most of the matches the two had, Lawler prevailed with the piledriver, which is a move by spiking a guy head-first into the mat. In one of the most famous moments in this feud was in the early 80s when Kaufman threw coffee on Lawler on “The Late Show with David Letterman,” got into fisticuffs with Lawler, and proceeded to sue NBC.